A small Moravian town near Brno in the 1920s. In a forest clearing, the mentally disabled Fricek discovers three dead young people: the nineteen-year-old daughter of the local forest ranger Růžena, the butcher's assistant Hrnčíř, and the former student Roubal. Thus begins a detective story that screenwriter Roman Ráž wrote based on a true story. Inspector Vrba is in charge of investigating the case.

The Zodiac Murders series does not aspire to rank among other popular crime serials; it seeks to become one of a new, modern style. The line connecting all its parts are the signs of the zodiac. Each of the twelve episodes deals with a mysterious crime, of characteristics associated with the respective sign. Apart from the standard crime investigation elements, in each episode we can follow a “private“ line, represented by an amorous triangle kept secret, formed by major Holina, the intelligent and competent head of the investigation team, his subordinate captain Rostia Bor, confined to wheelchair due to an accident, and his wife, psychologist Sabina, who studies and uses astrology for psychological personality analysis, thus helping the two detectives in their work.

This drama with a criminal plot is a study of the intricately intertwined relationships of four people whose lives have been interrupted by the violent death of a loved one. The story begins almost classically: when a visitor rings the doorbell of a prominent scientist's villa, there is an explosion. The owner is found poisoned by gas in the demolished room. Everything suggests that he committed suicide. But then a major twist comes and the seemingly obvious suicide becomes a well thought out and carefully prepared crime...

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On the state stud-farm, Tomás (Rudolf Jelínek) is preparing to become a jockey together with other boys. He loves to read cowboy stories and Western pulp magazines and his passion makes him a laughing-stock of his friends and pretty Vera, his couch's daughter. Tomás looks for refuge with aging jockey Kosina (Eduard Dubský) and listens in admiration to his tales of old jockey glory. He doesn't suspect that Kosina had to leave the racecourse because of fraud and that he is still looking for ways to get easy money.

In the second half of the 1980s, so-called critical films began to emerge, but they were afraid to make a sharper statement, moving on the basis of an engaged morality that wanted to improve the existing conditions cosmetically at best. The theme of the search for a new anchor in life becomes a central element: the protagonist, after returning from the war, does not want to devote himself to the constraints of elite sports, he rejects the dubious business of a friend. Most of all, he would be attracted to a perfectly ordinary job in a bakery. The dance clip inserts, however, make it difficult to navigate the already rather confusing narrative.

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In the era of the rise of Nazism in Germany, a strange man, exhibited in a circus for the amusement of the audience, is found to be the heir to a large fortune. The new owner must learn social behaviour and resist the advances of those who would like to seize his fortune themselves.

Seventeen-year-old student Milan wants to get rid of his morbid fear of flies, which originated sometime in his childhood. Only then will he feel mature and responsible for himself and his actions...

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